The works selected for this exhibition reflect some of the critical strands to Dashper's practice, while also sharing some lesser-known gems. From one of the rarely seen ‘velvet’ paintings of the early 1980s, to his last exhibited video made at the 2007 Venice Biennale, the exhibition seeks to open a conversation between the diverse elements of Dashper’s practice and demonstrate a consistently inquisitive and innovative approach to the idea of art-making and to the beauty of ideas.

Curated by Ariane Craig-Smith.