Milk and Honey
Milk and Honey
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                                                        Artist 
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                                                        Production Date 2012 
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                                                        Medium builders paper, metal pins 
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                                                        Size 3000 x 3000 mm 
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                                                        Credit Chartwell Collection, commissioned by Auckland Art Gallery Toi o Tāmaki, purchased 2012 
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                                                        Accession Number C2012/1/33.1-3 
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                                                        Accession Date 18 Oct 2012 
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                                                        Department New Zealand Art 
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                                                        Classification Object 
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                                                        Collection Chartwell 
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                                                        Description He ringa toi pāhomatarau a Lonnie Hutchinson e whakaputa ngāwari ai ngā take wheako wahine, atu i te tirohanga o te iwi taketake, o te mana wahine, inarā ko te aupēhitanga o te hōkakatanga a te wahine me te wahine moe wahine i te ahurea o ngā moutere o te Moana-Nui-a-Kiwa. Kei te ara mai te reo ataata e whakaatu ana i te kiritoa a ‘Black Pearl’ i te rīanga o waenganui – ko ōna makawe ānō nei he pakiaka rākau e kongange ana – i te kāhui takitoru pepa kāmura pango a Hutchinson. Putaputa mai ai a Black Pearl i ngā toi a Hutchinson; i takea mai ia i ngā kōrero takakino o te hītori o ngā moutere o te Moana-Nui-a-Kiwa hei tohu mō te mana o te wahine iwi taketake – he mariko e whakapōrearea nei, e wero nei i ngā waiaro o te hunga mātaki kokoro. 
 Lonnie Hutchinson is a multi-disciplinary artist whose practice subtly addresses issues of female experience from Indigenous and feminist perspectives, in particular, the repression of female and lesbian sexuality in Pacific Island culture. A visual language featuring the protagonist Black Pearl – seen in the central panel with tree-like roots and her hair a blaze – emerges from Hutchinson’s triptych of black builder’s paper. Black Pearl, a recurring figure in Hutchinson’s practice, comes from narratives of Pacific herstory and is a symbol of Indigenous female empowerment. Her phantom presence haunts and taunts the subconscious of the dominant patriarchy.
 
                    
            
        
     
                                                         
                                                         
                                                        