Cruise the Collection
Simon Ingram
Select group exhibitions
(2007). Four Times Painting. Curated by Tina Barton. Adam Art Gallery, Victoria (2007). The Secret Life of Painting. Curated by Justin Paton, Dunedin Public Art Gallery, Dunedin, New Zealand.University of Wellington, Wellington, New Zealand.
(2007). Pacific Street. Julian Dashper, Matthew Deleget, Simon Ingram, Rossana Martínez. Rm103, Auckland, New Zealand.
(2007). Julian Dashper, Billy Gruner, Simon Ingram, John Nixon. Curated by Sydney Non Objective (SNO), Sydney, Australia.
(2007). Neccessary Praxis. Curated by Leonhard Emmerling. St Paul st Gallery, Auckland University of Technology, Auckland, New Zealand.
(2006). Just Painting. Curated by Natasha Conland, curator Contemporary Art,
Auckland Art Gallery, Auckland, New Zealand.
(2006). Satellite. Curated by John Di Stefano. Shanghai, China.
(2006). The Future of Painting. Curated by Ben Curnow. Canary Gallery, Auckland.
(2006). Four Nails. St Paul street Gallery, AUT University, Auckland, New Zealand. Curated by Mary Louise Brown, Julian Dashper and Simon Ingram.
(2005). Snake Oil - Chartwell Acquisitions. Curated by Robert Leonard. Auckland Art Gallery. Auckland, New Zealand.
(2004). Seeds of Order, Chaos of Rhythms. Curated by Allan Smith. Anna Bibby Gallery. Auckland, New Zealand.
(2004). New New Zealand Art. Curated by Ben Curnow. MOP Projects. Sydney, Australia.
(2004). Duets - Launch of the Abandoned Sculpture Project. Curated by Lauren Winstone. RAMP Gallery, Waikato Institute of Technology. Hamilton, New Zealand.
(2003). From the Shadows to the Sun. Curated by Ben Curnow. Rm103. Auckland, New Zealand.
(2003). Yellow Pages Germany. Curated by John Armleder. Braunschweig, Germany.
(2003). Images of Desire. Curated by Jan van der Ploeg. Artwalk, Staatsliedenbuurt district. Amsterdam, Netherlands.
(2003). Portraiture - The Art of Social Commentary. Curated by Rhoda Fowler. Te Tui-The Mark. Manukau City, New Zealand.
(2003). Group Show. Curated by Billy Gruner, Ron and George Adams. MOP Projects. Sydney, Australia.
(2002). Images of Desire. Curated by Jan van der Ploeg. Artwalk, Staatsliedenbuurt district. Amsterdam, Netherlands.
(2002). Group show. Vavasour Godkin Gallery. Auckland, New Zealand.
(2001). False Narratives. Curated by Ruark Lewis. Experimental Art Foundation (Adelaide, Australia), City Art Gallery (Wollongong, Australia), RMIT Gallery (Melbourne, Australia).
(2001). Saturated Skins. Vavasour Godkin Gallery. Curated by Bill Riley and Noel Ivanoff. Auckland, New Zealand.
(2001). Actually. Rubyayre Gallery. Curated by Simon Ingram, Jason Markou and Jeorg Hubmann. Sydney, Australia.
(1998). Screen Show. Vavasour Godkin Gallery. Auckland, New Zealand.
(1998). Jim Speers & Simon Ingram. Curated by CBD Gallery board. CBD Gallery. Sydney, Australia.
(1997). Toby Curnow & Simon Ingram. Pendulum Gallery. Curated by Pendulum Gallery board. Sydney, Australia.
(1996). CBD benefit show. CBD Gallery. Group exhibition curated by CBD Gallery board. Sydney, Australia.
(1995). Debut Exhibition. Curated by Toby Curnow. Inhouse Gallery. Auckland, New Zealand.
(1995). A Very Peculiar Practice, Aspects of Recent New Zealand Painting. Curated by Allan Smith. Wellington City Gallery. Wellington, New Zealand.
Select solo exhibitions
(2006). Matter Thinks. SnowWhite Gallery, Unitec, Auckland, New Zealand.
(2006). Reading Room - Jackson Mac Low Interview With a Painting. Rm103, Auckland, New Zealand.
(2005). Painting as Machine. George Fraser Gallery. The University of Auckland. Auckland, New Zealand.
(2005). Drawing Machine. Clubs Project Space. Melbourne, Australia.
(2005). Drawing Machine. Canary Gallery. Auckland, New Zealand.
(2005). Garden. Vavasour Godkin Gallery. Auckland, New Zealand.
(2004). Max's First Iteration. Rm103. Curated by Nick Spratt. Auckland, New Zealand.
(2004). Painting as Machine. Auckland, Te Tuhi - The Mark. Curated by Rhoda Fowler. Auckland, New Zealand.
(2004). Towards a Painting That Thinks. MOP Projects. Curated by Billy Gruner, Ron and George Adams. Sydney, Australia.
(2003). Dialogical Paintings. Rm103. Curated by Nick Spratt. Auckland, New Zealand.
(2003). Simon Ingram. MOP Projects. Curated by Billy Gruner, Ron and George Adams. Sydney, Australia.
(2003). SPACE paintings. Vavasour Godkin Gallery. Auckland, New Zealand.
(2001). Lines. Vavasour Godkin Gallery. Auckland, New Zealand.
(2001). AEIOU. Published Art Bookshop. Curated by Sharon Tredennick. Sydney, Australia.
(1999). Informational Space. Vavasour Godkin Gallery. Auckland, New Zealand.
(1999). Simon Ingram. Gallery South. Curated by Gallery South board. Sydney, Australia.
(1998). Studio show. 18th Street Santa Monica. Santa Monica, California, USA.
(1997). Industrial Watercolours. Vavasour Godkin Gallery. Auckland, New Zealand.
(1997). Information Paintings. CBD Gallery. Curated by CBD Gallery board. Sydney, Australia.
(1996). Instrumental. Vavasour Godkin Gallery. Auckland, New Zealand.
(1996). Paintings With Rules. CBD Gallery. Curated by CBD Gallery board. Sydney, Australia.
Select Bibliography
Conland, N. (2007). Four Times Painting. Edited by Christina Barton. Published by The Adam Art Gallery, Victoria University of Wellington. Wellington, New Zealand.
Di Stephano. J. and the Satellite curatorial board. (2006). Shanghai, China.
Laird, T. (2005). New Zealand Listener, April 14 - 28. Auckland, New Zealand.
Gifford, A. (2005). “Magic of the Machines.” The New Zealand Herald, Weds March 30. Auckland, New Zealand.
Smith, A. and S. Ingram. (2004). Towards a Painting That Thinks. Manukau City, ArtSchool Press, Manukau Insitute of Technology. ISBN 0-476-00671-6. Auckland, New Zealand.
Fowler, R. (2003). Portraiture, The Art Of Social Commentary. Te Tui-the Mark. Manukau City, New Zealand.
McNamara, T.J. (2003). “Dynamic variations of simple patterns.” NZ Herald. Auckland, New Zealand.
Green, T. (2001). “Lines.” PostWest Magazine. University of Western Sydney. Edited by Ben Genocchio. Sydney, Australia.
Smith, A. (2000). “Informational Space.” Like Art Magazine. RMIT. Edited by Robin McKenzie. Melbourne, Australia.
Green, T. (1998). “Industrial Watercolours.” The Physics Room website (http://www.physicsroom.org.nz/). Edited by Tessa Laird. Christchurch, New Zealand.
Smith, A. (1997). New Zealand Modernism, The Content of Form, Paintings From the Gibb’s Collection. Edited by James Ross. Auckland, New Zealand.
Smith, A and Davis, L. (1995). A Very Peculiar Practice, Aspects of Recent New Zealand Painting. Wellington, City Gallery. ISBN 0-908818-31-9.
Select published material and conferences
Ingram. S. (2006). Short monograph. “The Value of Andy Barber’s No Collar Abstraction.” New Artist Show. Artspace, Auckland.
Ingram, S. (2006). Short monograph. “Milan Haber’s ‘Deep Drawing.’” SnowWhite Gallery, Unitec, Auckland.
Ingram, S. (2006). Conference presentation and contribution to proceedings. “Painting as a Thinking Machine.” In the conference workshop Computational Aesthetics: Artificial Intelligence for Beauty and Happiness. The Twenty-First National Conference on Artificial Intelligence, Boston.
Ingram, S. (2006). Short monograph. “Simon Denny’s Bright Lumpen Object Sentences.” Catalogue essay for forthcoming publication at Michael Lett Gallery. Auckland, New Zealand.
Ingram, S. (2005). Essay/interview. “Ingram Interviews Armanious: The Potting Shed Cosmologist.” Natural Selection. Edited by Gwynneth Porter and Dan Arps: http://www.naturalselection.org.nz/ Auckland, New Zealand.
Ingram, S. (2005). Conference presentation and contribution to proceedings. “Painting Life: Automata in Painting and A-life.” International Conference on Technology, Knowledge and Society. University of California, Berkeley, USA.
Ingram, S. (2004). Artist portfolio. "Dialogical Paintings." Landfall (207): 128-137. ISSN 00-23-7930. University of Otago. Dunedin, New Zealand.
Ingram, S. (2004). Journal article. "Machinic Practice in Painting." Junctures - The Journal for Thematic Dialogue 2(2): 33-44. ISSN 1-877139-65-3. Otago Polytech. Dunedin, New Zealand.
Ingram, S. (2004). Full conference paper. “Materialist practice in painting and self organising systems.” Processing Novelty. Intermedia and Time Based Arts, Elam School of Fine Arts, The University of Auckland. http://processingnovelty.creative.auckland.ac.nz Auckland, New Zealand.
Ingram, S. (2002). Artist portfolio. “Spirit Level Drawing.” Probe Magazine. Edited by Gywn Porter. Manukau Institute of Technology. Manukau City, New Zealand.
Ingram, S. (2002). Short monograph. Fusinato’s Kinaesthetic Monochromes.” Exhibition catalogue, Gus Fisher Gallery, The University of Auckland. Edited by Robin Stoney. Auckland, New Zealand.
Ingram, S. (2002). Short monograph. “Jan Van der Ploeg.” Lives of the Artists. Edited by Elizabeth Pulie. Sydney, Australia.
Ingram, S. (2002). Article. “Jim Speers.” Illusions. Edited by Lawrence McDonald. Wellington, New Zealand.
Ingram, S. (2002). Short monograph. “Maddie Leach's Ice Rink and Lilac Ship.” Haiku review (#1 spring 2002) published by Carnival Askew. Sydney, Australia.
Ingram, S. (2000). 3 Short monographs. “Andreas Gursky, Gerhard Richter, Rosalie Gascoigne.” Biennale of Sydney Education Kit. (3 essays). Edited by Craig Judd. Sydney, Australia.
Ingram, S. (2000). Article. “Doug Aitken and Pippilotti Rist.” Postwest, University of Western Sydney. Article. Edited by Ben Genocchio. Sydney, Australia.
Ingram, S. (2000). Article. “Mimi Tong.” Like Art Magazine, RMIT. Edited by Robin McKenzie. Melbourne, Australia.
Ingram, S. (1999). Artist portfolio. Magazine cover image, and “Review of Los Angeles Studio residency.” Postwest, University of Western Sydney. Edited by Ben Genocchio. Sydney, Australia.
Ingram, S. (1998). Artist portfolio. “Lay Bare the device.” Material. Edited by John Nixon. Sydney, Australia.
Ingram, S. (1994). Article. “Walters’ Double Bind”. Post, Art History Department, The University of Auckland. Edited by Caleb Stuart. Auckland, New Zealand.
Search work by Simon Ingram in The Chartwell Collection
The Secret Life of Painting, Dunedin Public Art Gallery
Four Times Painting, Adam Art Gallery, Victoria University of Wellington
The University of Auckland Best doctoral thesis award
http://www.minusspace.com/artists.htm
http://grandtextauto.gatech.edu
http://www.mop.org.au
singram@aut.ac.nz
