Cruise the Collection
Noel Ivanoff
NOEL IVANOFF
CV dated 2008
Born 1963 in Lower Hutt, New Zealand.
Current position:
Head of Department: Fine Arts and Photo, Film/Video
Whitecliffe College of Arts and Design
Auckland
New Zealand
I have been employed at Whitecliffe College of Arts and Design
for 12 years.
Professional experience:
2008 External Monitor: BVA, Manukau School of Visual Arts
2007 - 2008 External Monitor: BFA, Otago Polytechnic.
2006 External examiner: MFA candidates, Auckland University of Technology.
2005 External examiner: MFA candidate, Auckland University of Technology.
2003 External examiner: BFA Painting section, Elam School of Fine Arts, Auckland University.
Education:
1998- 1999 M.FA., Elam School of Fine Arts, Auckland University.
Graduated with First Class Honours.
1985- 1986 Post Graduate Course, St Martin's School of Art, London.
Gained Certificate of Advanced Studies.
1982- 1984 Diploma in Fine Arts, Otago Polytechnic.
Awarded - Abernathy Painting Prize.
- David Con-Hutton Memorial Scholarship.
Selected Group Exhibitions:
2009 Works On Paper. Two Rooms gallery, Auckland, New Zealand.
2008 Faking it: a revisitation of postmodernism. Curated by Nicol Sanders- O’Shea and Wellesley Binding. Hastings Art Gallery. Hawkes Bay
2006 Paint. Vavasour-Godkin Gallery, Auckland.
2005 GPS 6 artists 2 institutions. Centre for Contemporary Art, Christchurch.
June 2005; and Randolph Street Gallery, Auckland. September 2005.
2004. Sticky. Curated by Anthony Byrt. Randolph Street Gallery, Auckland.
2003 Lush. Customs Street Window Project, Auckland.
2003 Shine. Vavasour-Godkin Gallery, Auckland.
2002 Screens. Vavasour-Godkin Gallery, Auckland.
2002 Lush. Platform Gallery, Melbourne.
2001 Saturated Skins, (co-curator and exhibitor). Vavasour-Godkin Gallery,
Auckland.
2001 Conversations with a chair. Vavasour-Godkin Gallery, Auckland
2000 Let Them Eat Cake. George Fraser Gallery, Auckland
2000 Blue. Vavasour-Godkin Gallery, Auckland
1999 6xvi. George Fraser Gallery, Auckland
1998 Towards Abstraction Two. The Drawings Gallery, Auckland.
1998 Bulge. Brian Queenin Gallery, Wellington.
1997 Group Show. Brooker Gallery, Wellington.
1993 Japan International Artists. Tokyo Metropolitan Art Museum.
1991 Art 91. Islington Design Centre, London.
1988 Five Painters. St. Martins School of Art, London.
Two-Person Exhibitions:
2008 Landing. Raewyn Martin and Noel Ivanoff. Enjoy Public Art Gallery, Wellington.
2008 Levigation & Pink noise. Noel Ivanoff and Jacquie Ure. Randolph Street Gallery, Auckland.
2007 Fabrication. Noel Ivanoff & Monique Jansen. Vavasour-Godkin Gallery,
Auckland.
2005 Peel & Some works from Gobsmack and flabbergast. Noel Ivanoff & Julia Morison. The Signal Gallery, Hamilton.
Solo Exhibitions:
2005 Depot: Vavasour-Godkin Gallery, Auckland.
2003 Dressed Four Sides: Vavasour-Godkin Gallery, Auckland.
2001 Split Infinitive: Vavasour-Godkin Gallery, Auckland.
2000 Tracing Colour: Vavasour-Godkin Gallery, Auckland.
1997 Floating World: Brooker Gallery, Wellington.
1992 The Pall Mall Deposit, London.
1993 Templeton College, Oxford.
1989 Alba Fine Art, London.
1988 Alba Fine Art, London.
1986 Alba Fine Art, London.
Commissions:
Stacker P3. Woolaston Estate, Nelson. November 2006.
Publications:
Shand, Peter. (2007). Catalogue essay. Manifest and Ellipsis. Accompanying
the exhibition Fabrication at Vavasour-Godkin Gallery, April/May 2007.
Ranfft, E. (2006). Available For Functions: A Conversation with Noel Ivanoff.
Z/X. Manukau School of Visual Arts, Manukau Institute of Technology. Issue 2 [theme: under construction], 18-23.
Byrt, Anthony. (2004). Catalogue essay. Sticky. [Curated by Anthony Byrt].
Accompanying the exhibition Sticky at Randolph St Gallery, Whitecliffe College of Arts and Design. June/July 2004.
Stoney, Robin. (2000). Catalogue essay. Let them eat cake: Accompanying
the exhibition Let them eat cake at the George Fraser Gallery,
Auckland.
Symonds, Henry. (1997). Catalogue Essay. Floating world/ukiyo-e:
Accompanying the exhibition Floating world at the Brooker Gallery, Wellington.
Articles/Reviews:
Hurrell, John. (2009, February). Sophisticated drawings. http://eyecontactartforum.blogspot.com/search?updated-max=2009-02-12
Hurrell, John. (2008, October). Locked in tight or floating free. http://eyecontactartforum.blogspot.com/search?updated-max=2008-10-25
Gardiner, Sue (2007). Painting lives!...once again. Art News New
Zealand. 2007 Winter.
Hurrell, John. (2007, April). Down Into the Grid. Artbash.co.nz from
http://www.artbash.co.nz/article.asp?id=991
Artbasher. (2006, July). Not Quite Dead Yet. Artbash.co.nz from
http://www.artbash.co.nz/display.asp?id=771
Gifford, Adam. (2005). Materials and Marks of a Useful Trade. New Zealand
Herald, September 21, 2005.
McNamara, T.J. (2001) Relationship seems in focus but the lines are blurred. New Zealand Herald, April 23, 2001.
Daly-Peoples, John. (2001) Saturated skins. National Business Review, April
27, 2001
McNamara, T.J. (2000). Collective instinct to turn ordinary into art. New
Zealand Herald, May 29, 2000.
Simpson, Peter. (2000). Tracing Colour by Noel Ivanoff. Sunday Star-Times,
June 11, 2000.
Amery, Mark. (1997). A meditation on bicultural art. Sunday Star-Times,
September 28.
Published material
2007 Catalogue essay. Urban Pacific. New Pacific Art. [Curated by
Giles Peterson]. Randolph Street Gallery, Whitecliffe College of Arts and Design. March/April 2007.
2003 Catalogue Dressed Four Sides. Accompanying the exhibition Dressed
Four sides, Vavasour-Godkin Gallery, Auckland, New Zealand
2000 Catalogue Interview. Tracing colour: Accompanying the exhibition
Tracing Colour, Vavasour-Godkin Gallery, Auckland, New Zealand
1999 Catalogue Essay. Falls the Shadow. Paintings by Henry Symonds.
Work in collections.
Chartwell Trust
Levigation iii. 2008. Purchased 2009. Acrylic on Dacron. 1400 x 1400mm.
Stretcher. 2007. Purchased 2007. Dressed Cedar. 2100 x 6000 x 60mm.
White extract. 2005. Purchased 2005. Oil on found pallet. 1000 x 1200 x 140mm.
Contact 1. 2005. Purchased 2005. Oil on found pallet. 1050 x 1050 x 140mm.
Fletcher Trust
Blue Screen ii. 2001. Purchased 2002. Oil on plywood and dacron.
Each panel 1220 x 1830mm.
James Wallace Arts Trust
Green/Deep. 1999. Purchased 1999. Oil and beeswax on plywood and drafting film. Each panel 900 x 900mm.
Jenny Gibbs Collection
Aqualine. 2005. Purchased 2005. Oil on panel. 440 x 520mm.
Green/Pale ii. 2000. Purchased 2000. Oil and beeswax on plywood and drafting film.Each panel 900 x 900mm.
