A world undone

A world undone – Works from the Chartwell Collection

Auckland Art Gallery Toi o Tamaki, Auckland, New Zealand

Dates: Exhibition is open on Saturday 8 November 2014 to 5 April 2015, Level 2 Chartwell Gallery.

A world undone - Works from the Chartwell Collection, installation view

Image: Installation view, image courtesy of Auckland Art Gallery.

A Challenge!

Gestures, chance, materials, space, senses, vision, thought, making ... all words used to describe something essentially non-verbal – a conundrum for sure that challenges our ability to interpret visual abstract information but one that Chartwell investigates through its collection of contemporary art works. As viewers, we perceive, access and respond to artist’s ideas – the challenge is to take those ideas and run with them, explore them further, test them, unravel them, embrace them, echo them, and answer them with ideas of our own.

Welcome to A world undone – Works from the Chartwell Collection, curated by Stephen Cleland. Chartwell strongly supports the view that creative visual thinking, within the art-making and viewing experience, delivers opportunities for everyone to grow their imagining minds. The Collection is on long-term loan to the Auckland Art Gallery Toi o Tāmaki, because we know the Gallery to be a ‘gymnasium for the mind’ available to all who visit.

Chartwell sees the Collection as a tool with which to stimulate new ideas, opening the mind and expanding the ideation functions of the brain. Each of us has the capacity for inventive, productive thought within the art experience: a skill transferable to all activities in life, which in the process helps grow innovative and successful communities.

The works in A world undone are a sample from the Collection which comprises 1,481 works to date and is growing. The exhibition provides an opportunity to perceive the Collection as a work in progress – itself an investigation into the significance of non-verbal ideation.

In recent times, the impressive development of research-based enquiry done by the Creative Thinking Project at The University of Auckland is reinforcing our interest in the vast potential of the human creative process across all disciplines. We see A world undone as revealing a world open to the mysteries of this kind of expansive, creative thought. Through recent international acquisitions, this world is explored even more in the Collection, enabling an extended understanding of the interconnectedness and mobility of artists’ practices globally and of the value of collaborative creativity.

A world undone – Works from the Chartwell Collection includes sculpture, painting, prints, installation and video works from 26 artists and demonstrates the wide range of art practices today. It includes works by Hany Armanious, John Baldessari, Andrew Barber, Bernd and Hilla Becher, Martin Creed, Daniel Crooks, Richard Frater, Gavin Hipkins, Nicholas Mangan, Dane Mitchell, Robert Rauschenberg, Peter Robinson, Jessica Stockholder, Richard Tuttle, Rohan Wealleans and others.

We acknowledge Stephen Cleland and Zara Stanhope, and the Auckland Art Gallery team for their work in realising this exhibition.

We invite you to join us in A world undone and to consider the potential benefits of active, engaged viewing of these works and the unique benefits they offer. The gallery team along with associated designers and writers, have produced a catalogue which will be launched on and available from 28 November 2014.

Video/Audio artist interviews »
We've made a series of short video and audio interviews with artists in the exhibition.

Further Reading

Exhibition publication excerpt by Rebecca Ward »
Excerpt from the exhibition publication - Chartwell/Artists Alliance Intern Rebecca Ward was commissioned by the Auckland Art Gallery publication team, in association with Associate Professor Linda Tyler of the University of Auckland, to write about some of the works in the show.

Notes on Daniel Crooks' An Embroidery of Voids »
The result of a conversation between Chartwell Trustee Rob Gardiner and Chartwell/Artists Alliance Intern Rebecca Ward.

Art, Mediation and Contemporary Art Emergent practices »
Essay by Associate Pro-Warden Janis Jefferies, Professor of Visual Arts, Goldsmiths Digital Studios, Computing, who presented a relevant paper around this topic at the 2013 ICEA Conference in Australia.

Daniel Crooks - An Embroidery of Voids

Daniel Crooks - An Embroidery of Voids

Daniel Crooks’ video work An Embroidery of Voids, acquired from Anna Schwartz gallery in Melbourne in 2014, is the second work of Crooks’ in the Chartwell Collection. It was a central commissioned work in the large Melbourne Now exhibition at the NGV over the summer of 2013/14, installed as a singular projection in a darkened room. Voids is a slow-moving, steady paced video collage, situating the viewer in a journey through various lanes and in-between spaces which unfold in sequence. While the laneway is an icon of Melbourne’s city life, this work has a wider appeal to a general audience; there is the sense that Voids could have been filmed anywhere. There is a feeling of expectation as each laneway draws nearer; just as you expect to reach the end or vanishing point, the image blends into the next space. Voids transfixes you as you tunnel through these collaged spaces. The intrigue created in this video through the sense of unfolding space and time lent itself to prolonged viewing, often a challenge for video works. The admission of this work into the collection builds on the representation of Crooks’ practice and allows the public to follow his technical and conceptual developments. (RW, 2014)
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Daniel Crooks - An Embroidery of Voids

Daniel Crooks - An Embroidery of Voids

Daniel Crooks’ video work An Embroidery of Voids, acquired from Anna Schwartz gallery in Melbourne in 2014, is the second work of Crooks’ in the Chartwell Collection. It was a central commissioned work in the large Melbourne Now exhibition at the NGV over the summer of 2013/14, installed as a singular projection in a darkened room. Voids is a slow-moving, steady paced video collage, situating the viewer in a journey through various lanes and in-between spaces which unfold in sequence. While the laneway is an icon of Melbourne’s city life, this work has a wider appeal to a general audience; there is the sense that Voids could have been filmed anywhere. There is a feeling of expectation as each laneway draws nearer; just as you expect to reach the end or vanishing point, the image blends into the next space. Voids transfixes you as you tunnel through these collaged spaces. The intrigue created in this video through the sense of unfolding space and time lent itself to prolonged viewing, often a challenge for video works. The admission of this work into the collection builds on the representation of Crooks’ practice and allows the public to follow his technical and conceptual developments. (RW, 2014)
Back to Gallery Overview »